Why Are Comedians Providing The Most Relevant Journalism?

We’re in the final stretch of a long presidential campaign, which is a watershed election for many reasons. The more obvious having to do with the race and gender of the candidates. However, there are lesser ones which are important as well. One aspect that people tend not to think as deeply about is the fact that we are increasing getting the most insightful political commentary from comedians like John Stewart of the Daily Show, David Letterman, and Tina Fey and the other cast members of Saturday Night Live. This observation is not my own, Charles Kaiser of Full Court Press, among others, have long championed Stewart and his staff writers for their dead-on political analysis.

With the country spending $10 billion a month on the war in Iraq, US banks struggling to survive and the world slipping in global recession, the increasingly ugly political presidential race blares onwards towards November 4th. This moment should be the time for journalists to step up and make sense of the world. And yet they seem two steps behind the joke makers. As long running dailies are turning weekly, traditional news outlets such as print newspapers, need to be making themselves more relevant, not less.

John Stewart’s interview with Peggy Noonan a few weeks ago was telling.  In the interview, Stewart at one point, gives an impassioned plea to his guest on how the politicians can get away with rhetoric which treats the public like children. The reason of course is that the people as well as journalists allow it to happen. (It’s the same reason for why the debate have been reduced to 90 second sound bite speaks which are so tightly controlled, that nothing meaningful is said.) It was so rare to as any journalist or tv personality show that he really cares about the country’s well being, rather an partisanship or sidestepping responsibility in the name of staying objective.

Similarly, the McCain / Letterman bro-mance turning sour was amusing to watch from start to conclusion. What does Letterman have to lose by a continuing barrage of criticism after being personally lied to by McCain on a phone call saying that he has to go to Washington to deal with the financial meltdown. Letterman’s cut to McCain getting make up with Katie Couric, during the taping of Letterman’s show he skipped was priceless. Further, in McCain’s kiss and make up appearance (which reeked of PR control,) Letterman pursued him on the qualifications of Palin and if he really thought Obama was a terrorist, in a way that journalist rarely dare to attempt. McCain tried to side stepped the questions, with rhetoric of “many words are said in politics.”

I can’t help but wonder if one of the main problems is that the journalists fear criticizing and questioning politicians, will result in losing access to their sources. Just like fashion writers who shred shows and don’t get invited the next season. This fear may make short term sense, but journalists will lose out in the long term. Stewart, often uses his television home of Comedy Central, the airer of South Park, as cover for expressing honest political views. “I can say whatever I want, because I follow potty mouthed cartoon boys!”  Actually he can say what he wants because he gets a lot of viewers online and offline, people blog about his segments, and lots of people of all ages do consider the Daily Show as an important source of political analysis. For this reason, he knows he can dig and deconstruction of McCain, as well as, Obama, because he knows that politicians realize his influence. Especially because the Daily Show will go on with or without them. The show doesn’t need direct access, so they don’t worry about being blacklisted.

Traditional journalism, especially newspapers and magazines are in trouble, and I’m really surprised by the response when there is so much to talk about. I usually don’t rant like this here, so in my follow up post, I’ll offer an alternative path on how journalism can regain it’s relevance.

Links to blogs with smart things to say about journalism:

Press Think – Jay Rosen

Buzz Machine – Jeff Jarvis

Unclaimed Terrortory – Glenn Greenwald

Posted in culture, information, online offline, publishing, telecommunications, television | 2 Comments

Awesome People I Met/Saw At The New York Art Book Fair

I finally made it to the New York Art Book Fair after being out of town last year. I think I learned about the first one a couple of days after it ended, which is quite typical for me.  In any event, there was the high and low brow and everything in between.

Image source: The Thing

I met Will Rogen and Jonn Herschend from The Thing Quarterly, which sends its subscribers a piece of art every quarter. I had just heard about it a couple of weeks ago, when I was out in SF, where they are based. It’s not quite publishing, although it’s definitely a self-described periodical, and a bit more like those organic local food subscription services where they mail you a box of kale or carrots or melons once a month, except its art and of course its quarterly.

I was pleased to find out that they were super friendly, and we had a short, but interesting conversation, on publishing. When I asked them if their backgrounds was in publishing, I found it of note that they said they are artists. That answer is personally great to me because I’m really intrigued in publishers (if you want to call them that) from non-traditional backgrounds.  I finally got my tax stimulus check from the federal government, and a chunk of it may just go towards a subscription, especially because Jonathan Lethem is on the docket as an artist. Will and Jonn are in town participating in various art organizations in the city of the rest of the week.

Stuart and David of Dexter Sinister had a table, and it always fun to talk to them, especially about geeky things like the text editor Tex. I ended up buying something that was quasi-expensive and actually deserves an entire post of its own later.

Image source: An Atlas of Radical Cartography

At the table next to Dexter Sinister, I met Alexis Bhagat who co-edited “An Atlas of Radical Cartography” which is a collection of essay and maps.  Coincidentally, Brett introduced to me the collection when I was at UArts a few weeks ago, funny how things work out that way.  The maps touch everything from oil to surveillance to garbage production. He was fun to chat with as map have been on my mind lately.

J Morrison was selling silk-screened man purses for a suggested donation. He had young women helping him silk screen images on the spot, and everyone was wearing matching colored tee and shorts. His assistants made a bag to order, for a good birthday present, which was my next stop after the fair.

Posted in book, culture, design, information, map, publishing | Comments Off on Awesome People I Met/Saw At The New York Art Book Fair

What is the Role of the Anthropologist?

Image source: cultureby.com

On Saturday, I got to hear Grant McCracken speak at the AIGA GAIN conference in New York.
I documented that I was going to the talk in my usual way of writing a quick note in twitter, which gets dumped into my facebook status.

“At AIGA, just heard Grant McCracken say smart things on design & culture, and the role of the anthropologist”

I got two quick responses from friends of mine who are working on their dissertations in anthropology, who basically asked what is the role of the anthropologist?

Of course, their requests had a bit of tongue and cheek, who am I to tell anthropologist what is their role? And I hope that they understood, that the talk was about the role of the anthropology within the context of design and culture. Nevertheless, the question is worth a response, because it is an interesting one, and perhaps the answer is not so obvious, although it is after hearing the talk.

During his talk, in a conference room mostly full of designers, McCracken refers two kinds of practitioners of anthropology. Anthropologists with an upper case A, and anthropologists with a lower case a. McCracken is an Anthropologist (PhD U Chicago) just as my friends are training to be Anthropologists. As well, there are many anthropologists (I would count myself in that group) who have the opportunity to practice anthropology in their work.  For designers, that practice is decoding culture and explaining it back to the design or marketing client. Although many in the Field (uppercase F) might have a problem with that, McCracken does not, and in fact encourages it. Although, it must be done in a smart way.

Decoding culture is crucial to the designer, because “culture provides infrastructure” to how we understand the world.  McCracken divides culture into the “above” (Malcolm Gladwell, Coolhunters, trendsetters) and the “below” which is all the rest.  Culture below is more hidden, and is made up of the assumptions people make in their construction of their worlds. The culture below is so obvious to the individual that they don’t even realize it exists. It remains in the domain of the unknown, until the anthropologist enters and maps out assumptions that. He cites the example of what makes a Harley more than “just” a motorcycle.

What does this have to do with design?

The designer must consider more than the cultural relevance of her creative output.  She must also consider the people who will see, hear, try, and her designs.  The successful designer will have an intimate knowledge of her end-user/audience/market and the culture surround the products and services that use in their daily lives. She will then use that knowledge to create a relationship with that person.

McCracken began with the question, “who owns culture in the corporation?” His claim is that designs probably don’t, but they should.  And today, the answer is probably nobody, which makes that there is an opportunity for the designer to lay claim to that corporate group.

What does this have to do with the Anthropologist overall or in training? McCracken often talks about the missed opportunities of Anthropologists because, they could provide insight in a post-modern world of flatten hierarchies (high-low, East-West) where known cultural structures are eroding.  In their place is an ad-hoc, but quite real, infrastructure of culture that is ripe for mining. Although they may not be the traditional domain of Anthropology, these cultural norms have a huge influence on the every day lives people in a post-industrial, consumerist culture. There is a great need for these changes to be explained back to the corporations that are creating that culture.  Whether for the corporation or academia, there is an opportunity for both Anthropologists and anthropologists to weigh in on the issues of the bagginess or skinniness of jeans, the identities of our vehicles, or personalities of our beverages.

Perhaps, there are Anthropologists in training who are already tackling these issues. If that is true, that would be great. For those who are designer or marketers who are (aspiring) anthropologists, there are also many opportunities as well. For both parties, McCracken has just created a blog conpendium on how to be an anthropologist for hire.

Posted in culture, design, information, innovation, marketing, review | 2 Comments

I Gave A Presention On Computation and Maps

Computation + Maps

View SlideShare presentation or Upload your own. (tags: map gis)

The last week has been a little hectic. I give this talk last week to some first year Masters of ID students at UArts. The title is “Compuation + Maps.” I’m not sure how much of it will make sense without the spoken part, but the basic ideas should be discernable. I’m looking forward to going back in a couple of weeks to see their projects.

Posted in computation, information, innovation | 1 Comment

Seven things that everyone should know about the New York Subway.

Image source: flickr

1. If you are waiting for a train, and the incoming train cars go, packed, empty, packed… do NOT enter the empty car. The *best* case scenario is that the AC is broken.

2. The subway trains run in the same direction as that cars run on the street above the tracks.

Image source: backspace.com

3. The compass roses that the MTA is placing in front of subway entrances, started out as an intervention by riders, and is what I would call ethical graffiti.

4. The A and D trains run express from 59th Street to 125th Street, which is great if you want get to Harlem, but not so great, if you are trying to visit the American Museum of Natural History.

5. The subways do, in fact, run on a schedule.

6. Google Transit combines subway schedules (see point 5) and Google Maps to provide directions using public transportation in New York, and many other cities around the world.

7. The displays with real time updates of the next train that the MTA have been introducing on the L line has been in other systems, such as DC’s Metro and the London Underground for years and even decades.

Blogs on Subways:

Second Avenue Sagas

Subway Blogger

AMNY Subway Tracker

Going Underground’s Blog

Posted in design, ethics of design, innovation, off topic | 3 Comments

Best Movie Every Year Since You’ve Been Born.

Image source: Wikipedia entries Diva, She’s The Man, and Safe.

There is a music album meme circulating blogs where people cite the best album for every year they were born. I took a different tack and did movies. Some of it is an exercise is citing the obscure which bloggers love to do, but I think a big part its popularity is for pure nostalgia.

The list is pretty random, spanning high brow and low brow and just about everything in between.  The selection process combination of movies that influenced me when they came out and great movies I saw years later. One big factor is if I rewatch a movie, and more importantly, how often I reference in general conversation.  This sort of explains why Logan’s Run (1976) which I refer to all the time, beats out Taxi Driver and All the President’s Men (I’m sure to most cinemaphiles’ horror.)

In any event, this list is something you can tweak endlessly. I was really sad not to be able to include Bring It On because I really love teen competition movies. The 80s and 90s were particularly hard to narrow down. High school, college, post college are influential years in someone’s life in general. Ideas are discovered for the first time and tastes are refined. Some years were particularly loaded with great films.  1985 saw the release of the Goonies, Tampopo, and The Breakfast Club, but Brazil won out because I still reference that movie the most. The current decade is, I’ll admit, a little uneven. Honestly, I don’t see many movies these days, so it takes a while for to catch up and also to see which films maintain their relevance.

Please enjoy and write up your own. Also final note, the release date is a bit subjective, because it used to over a year for some international film to get distribution in the US. Nevertheless, I used to the domestic release date given by imdb, which continually has been one of my favorite and most used websites since I found it in 1995.

Paper Chase, The (1973)
Female Trouble (1974)
Monty Python and the Holy Grail (1975)
Logan’s Run (1976)
Le Diable Probablement (1977)
Midnight Express (1978)
Warriors (1979)

Empire Strikes Back (1980)
Diva (1981)
Blade Runner (1982)
War Games (1983)
Another Country (1984)
Brazil (1985)
Parting Glances (1986)
Withnail & I (1987)
Big Top Pee-wee (1988)
Say Anything… (1989)

The Grifters (1990)
Edward II (1991)
Minbo no onna (1992)
Wedding Banquet (1993)
Vanya on 42nd Street (1994)
Safe  (1995)
Pillow Book (1996)
The River (1997)
Rushmore (1998)
Cruel Intentions (1999)

In the Mood For Love (2000)
Spirited Away (2001)
24 Hour Party People (2002)
Lost in Translation (2003)
The Incredibles (2004)
Linda Linda Linda (2005)
She’s The Man (2006)
Hot Fuzz (2007)

Posted in culture, taste | 4 Comments

Call On Me.

Image source: EW.com

I’m in San Francisco, for short project, this week. On some downtime, I told Florian that in my next place I live, I want to get a landline, a real copper wire one, not VOIP. He turned and said he completely agreed.

Every so often, I think about the days when I enjoyed talking on the phone.  When I lived in Seattle in the 90s after college, I would call people in New York or where ever the landed.  There were several people I would call a couple of times a month, for conversations over half an hour on a crystal clear and reliable landline connection. These calls were a rich and valued experience. These days, mobile phones and VOIP are a constant battle. Having a telephone call where both sides are clear and audible seem like a victory instead of the standard.

Rates on mobiles are cheaper, but I wonder if there will be a return back to landlines for their reliable service and clear conntections.

Is part of the reason I SMS more now because talking on the mobile phones is often a futile exercise of shouting, deciphering lost syllables, and walking around looking for the best signal?

Posted in mobile, telecommunications | 2 Comments

My Longstanding Issue With Blog Interfaces.

Something has been confusing and annoying me basically since I started reading blogs. It’s one of those slight annoying things, where a little design considering would make the issue irrelevant. When reading or searching blogs, the bottom of the screen usually offers you two choices, of which, the following combination is quite common:

<< Older Entries          Newer Entries>>

<< Previous Entries     Next Entries >>

Am I the only person who is confused by this interface? Both examples are slightly ambiguous. What does “previous” or “next” mean?

Blogs are generally organized by descending chronological order, that is, newest post on top of the screen or webpage. Books are generally ascending chronologically, if they have a time-based narrative, and start at a point in time and move forward.

Because English is read left to right, the “next” page of a book and navigation pointing to the right refers to pages dates in the future. However, in a blog, “Next” and “arrows pointing to the right” could either refer to blog web pages with posts that you haven’t read yet or a page with blog posts written in the past, ie older then the posts you are currently reading. To further add to the confusion, some blogs use Google as their search engine, which serves results in order of relevance.

To reiterate the two main points of ambiguity:

#1: Blogs and books don’t chronologically map in the same way. Books based on chronology are usually presented oldest information first. Blogs are generally displayed with the newest post first.

#2: Pages in blogs and print don’t map in the same way. The subsequent unread (I’m trying to avoid saying next) page on a blog is going backwards in time. Going forwards in a history book, toward the right, is moving forward in time.

In these two examples, left arrows link to older posts by date and right arrows link to newer posts by date.

Here is the interface of weatherapattern.com, so I write:

Notice the subtle different in terminology in designnotes (composite image):

As mentioned before, the questions arise:

What does “next” mean? That is, does it refer to unread posts or posts dates in the future?

In both cases, when I see “<< Previous Entries,” do the arrow mean the past in time or unread posts?

Why are the older post to the right? If I were to print out a blog and bind it, the older posts would exist towards the right.

Is there a better solution?

I think Gigaom, has a very good solution, part of the time. Instead of using the interfaces of many blogs, they both map to the closest to the print experience as well as have clearer wording.

With this interface, Gigaom both avoids the ambiguity of “previous” and “next.” Using “newer” and “older”  clearly refers to date of the posts. Also, the arrow points in a direction that map to the printed out and bound blog. Unfortunately, that interface is only used for the main pages, and not when you search. Sigh.

So, the remaining point is, why should blogs map to the convention of English (or any language read left to right) books? My only response is that most English speakers read books before blogs. It is important for a designer to build upon the obvious reference points and mental models of their users. For blogs in languages the read right to left, such as Chinese or Hebrew, I was have Older Posts pointing to the right.

Now, I have to go try to tweak this site’s navigation.

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The Politics Of The Designer.

Image source: Silverdocs

In the post-Olympic, millions of people saw daily images of the Bird’s Nest and Water Cube (designed by Herzog de Meuron and PTW Architects, respectively) which are impressive structures that are now forever linked to the 2008 Olympics. On these grounds, protest permits were denied. On the second week of the event, US art activists were arrested. Through these events, the relationship between architecture and their patron deserved continues scrutiny.

The debate was recently restarted with Daniel Libeskind’s announcement early this year that he would not design for “totalitarian regimes,” and especially pointed out China. Although, he has two commissions under construction in Hong Kong and Singapore, which leads to the question of how do you define China and how do you define a totalitarian regime. The underlying issue is more than just whether to build in China, but something larger.

What is the social responsibility of their architecture? Can you separate the building from its patron?

A New York Times article is full of money quote of influential voices in the field on the topic, as does an article by Matthias Korte, in sight and sound, also was thinking about the topic was back in January.

Barry Bergdoll, the chief curator of architecture and design at the MOMA cites the fundamental issue, architect want to get their buildings made. “It’s a problem as old as architecture and empire. Architects in the end are selling design services.”

Further, architect Peter Eisenman, notes the irony is working with a totalitarian regime. “The more centralized the power, the less compromises need to be made in architecture. The directions are clearer.”

However, quite often, architecture want to sidestep the issue. Robert Stern, dean of Yale’s architecture school is designing the George W. Bush’s library says “I’m an architect. I’m not a politician.”

Bernard Tschumi, former dean of Columbia’s architecture school, takes a balanced approached: “Some of the most amazing places were built because of dictators. Architecture is always related to power and related to large interests, whether financial or political… there is a moment when the buildings are conceived as an expression of a political regime. Then it becomes a problem. You have to believe in it.

Architects may not want to identify as politicians, although it is a common idea in Western architecture schools that their designs are agents of change, and influence people who experience their designs. Many of these same architects who make this claim, to fortify the importance of the designer, also try to avoid their political and social responsibilities. Architects then cannot be selective in their application of their effects on society, and therefore must be able to defend their selection of projects.

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Fashionable Ethics.

Image sources: nymag.com, nytimes.

Not the freshest topic, but worth recording, Vogue India’s August’s spread has a 16 page of photo editorial with average India people wearing luxury accessories. What’s the issue with average?  When 465 million of 1.1 billion Indians survive on US$1.25 a day (according to the World Bank,) having them wear US$10,000 Hermes bags and US$200 Burberry umbrellas, came off, at best, a little tacky.

New York Times quotes the Vogue India editor Priya Tanna: “Lighten up… fashion is no longer a rich man’s privilege. Anyone can carry it off and make it look beautiful… You have to remember with fashion, you can’t take it that seriously… We weren’t trying to make a political statement or save the world.”

The quote is most interesting in comparison to Vogue Italy’s July issue, dubbed the Black Issue, whose editorial was shot by Steve Meisel and only featured black models. The issue included established models such as, Alek Wek, as well as new comers, like  Jourdan Dunn. The issues sold out quickly and required an unprecedented second printing. Although, I wonder if other people had my first reaction flipping through the magazine: the first half of the magazine, were mostly ads, featuring white models. The difference was striking and adds poignancy to the statement made by the Vogue Italy editors.

The problem is that the fashion industry is itself an agent of fashion, trends, and the new. 2006 was the year of eco-fashion, when Elle’s green fashion issue was the fashion magazine that made mainstream headlines. The next green issues were yesterday’s news, even if the importance of sustainability is ever present. These magazine and luxury brands are trying to sell aspiration. Clearly, magazines such as Vogue need to clarify the messages they are hoping people to aspire towards achieving. This point is especially important in a country such as India, whose struggles with balancing their raising middle and upper class with highly visible poverty. As luxury continues to grow as a global obsession, fashion and fashion publishing obviously has an obligation to consider its social responsibility, in a way that exists beyond the realm of “the moment.”

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